Overview
A indicate hwhen been famously described as "the show about nothing" (the self-referential sentence from either an episode describing Seinfeld & George's attempt to produce a sitcom idea), when virtually all of a comedy was depending about the largely inconsequential minutiae of everyday life, & typically exposed petty contention & elaborate schemes to benefit the little benefit all over more people. the characters develop likewise been described when dead selfish & unmoral; a indicate standing out by depicting these traits inside a comedic fashion. (Yet, it should become noted that the most common motif concerns characters' tries to run nice items for humans, exclusively to develop the two backfire exponentially.) Around direct contrast to numerous more sitcoms, the allowing for of scenes to lapse into sentimentality was usually avoided, & Jerry Seinfeld & Larry David's dictum of "no hugging, no learning" gave a indicate its distinctively cold & cynical tone. Nevertheless, themes of unlogical social graces & customs, neurotic and obsessive behavior, and a mysterious workings of relationships ran in many episodes, making it imaginable to categorize a indicate as a comedy of manners. A indicate's creators mass produced a conscious effort to reflect a activities of very populatiin, like than the idealised wishful thinker characters typically seen on television, although many episodes run feature surreal escapades, typically according to scenes from either far-famed picture show.

Former shows in television were near universally personal or even co-fellow worker caused, & Seinfeld holds itself higher when existence the so-uncommon case of the sitcom wherein none of the characters were related by blood or even even listed, in case in the least, in the equivalent building or business.

Based on data from Bruce Fretts' 1993 A "Entertainment Weekly" "Seinfeld" Companion, ''Seinfeld's'' audience was, "TV-literate, demographically desirable urbanites, for the most part-who look forward to each weekly episode in the Life of Jerry with a baby-boomer generation's self-involved eagerness." Also, around episodes adhering to the original conception, the indicate featured clips of Seinfeld himself redeeming a standup routine at a beginning & prevent of both episode, the theme of which relates to the cases depicted in the plot. By this device a distinction between a actor Jerry Seinfeld & a character world health organization is portrayed by him is deliberately blurred. Around afterwards seasons, these standup clips became less frequent. A lot of the independent characters were modeled when Seinfeld's or even Larry David's realistic acquaintances. Numerous of a plot hardwcome are according to real-life counterparts inside Future York - like a Soup Nazi & the J. Peterman catalogue.

An additional violation of the fiction convention of isolating characters from a actors swimming a babies, & separating the characters' globe from either a actors' & audience's globe, was the story arc that concerned a characters' roles around promoting the television sitcom series known as Jerry. Jerry was lot prefer Seinfeld in that Seinfeld played himself,& that a indicate was "about nothing". Jerry was launched in the 1993 year finale of Seinfeld, within an episode titled "The Pilot". This story arc, along by having more examples of self-information, keep around led numerous critics to point retired a postmodern nature of the show.

According to Katherine Gantz, this entanglement of character and actor relationships "seems to become the a share of the indicate's complex appeal. Whereas situation comedies typically dilute their cast, adding & removing characters inside look for of fresh plot possibilities, Seinfeld instead interiorizes; a narration creates freshly configurations of a equivalent limited cast to keep a viewer & the characters intimately linked. In point of fact, these are precisely this concentration on a nuclear placed of quaternion personalities that creates the Seinfeld community".

Another attribute that makes Seinfeld exceptional is that in almost every episode, several story threads are presented at the beginning, generally involving the various characters in separate and unrelated situations, which then converge and are interwoven towards the end of the episode in an ironic fashion. Due to the densely-plotted construction of the storylines, attempts to summarize the action in a given script are generally more verbose than one would expect for a sitcom. Despite any separate plot strands, the narratives show "uniform efforts to maintain [the] intimacy" between the small cast of characters. "Great deal of ''Seinfeld's'' plot & humor hinge in outside personalities threatening—& in the end failing—to invade a foursome, ... especially in which Jerry & George come caring." (Gantz 2000)

Gantz maintains that another factor in, or further proof of, spectators' and characters' participation in a Seinfeld community is the large amount of in-slang, "a lexicon of Seinfeldian code words and recurring phrases that go unnoticed per infrequent or even 'ignorant' viewer". These include Bubble Boy, Biff Loman, Master of My Domain, Junior Mints, Shrinkage, Mulva, Crazy Joe Davola, Man Hands, Yada Yada Yada, Dr. Van Nostran, Spongeworthy, and Art Vandelay.

The show premiered as The Seinfeld Chronicles on Thursday, May 31, 1990 on NBC. Seinfeld was not an immediate success. After the pilot was shown, on July 5, 1989, a pickup by NBC did not seem likely and the show was actually offered to Fox, which declined to pick up the show. It was only thanks to Rick Ludwin, head of late night and special events for NBC, for diverting money from his budget, that the next four episodes were filmed. After nine years on the air and 180 episodes filmed, the series finale of Seinfeld aired on Thursday, May 14, 1998. It was watched by a huge audience, estimated at 76 million viewers. Jerry Seinfeld holds both the record for the "virtually all money refused" according to the Guinness Book of World Records by refusing an offer to continue the show for 5 million dollars per episode, and another record for the Highest Ever Annual Earnings For A TV Actor^{[http://www.guinnessworldrecords.com/index.asp?id=47798]}, while the show itself holds the record for the Highest Television Advertising Rates^{[http://www.guinnessworldrecords.com/index.asp?id=47798]}.

In 2004 a deal was negotiated to make Seinfeld available on DVD for the first time. Due to legal problems with the cast involving episode commentary and other DVD extras, the release was pushed back. The first 3 seasons were released November 23, 2004, and season 4 was released on May 17, 2005. Season 5 and season 6 are scheduled to be released on November 22, 2005.

Characters

Main Characters

Jerry Seinfeld

Jerry Seinfeld (played by Jerry Seinfeld)—A standup comedian who seeks out relationships with attractive women which rarely last more than one episode. A number of episodes involve some obsession of Jerry's that results in offending the romantic interest and ruining the relationship. Among his strongest obsessions are his impulsive need for neatness, his love of Superman and for cereal. There is a reference to Superman, either visually, conversationally, or thematically, in over 70% of the episodes in the series.

George Costanza

George Louis Costanza (played by Jason Alexander)—A "short, thick, slow-feebleminded, bald man" (as described by Elaine), the neurotic George is a self-loathing, congenital liar domineered by his parents, Frank and Estelle. He has held many jobs, including that of a real estate agent and assistant to the traveling secretary for the New York Yankees. He also worked briefly at a sporting equipment company called Play Now and at Kruger Industrial Smoothing (and—very briefly—at Pendant Publishing) in addition to nearly acquiring a job as a bra salesman for Sid Farkus, a friend of his father's. His relationships with women were always unsuccessful, including his engagement to Susan Ross, played by Heidi Swedberg. The character of George was largely based on the show's co-creator and Seinfeld's real-life best friend, comedian Larry David. Episode plots would frequently feature George manufacturing elaborate deceptions at work or in his relationships, in order to gain or maintain some petty advantage. These schemes would invariably backfire. Many of George's predicaments were based on ones that Larry David had found himself in at one point or another in his own life.

Cosmo Kramer

Cosmo Kramer (played by Michael Richards)—Tall, wild-haired, Kramer is the most eccentric Seinfeld character. He is usually called by his last name. For much of the series, his first name was unknown. Once his full name was revealed, most minor characters began calling him Cosmo, but the main group continued calling him Kramer. He is frequently involved in hare-brained schemes to get rich. One of the most popular characters on the show, he is often described as the "action character" that draws audiences with his wild and unusual antics and movements. In one show, Kramer is called a "hipster doofus." He is based on Larry David's neighbor, Kenny Kramer. Kramer adopts a different bizarre habit or money-making scheme almost every episode. He is friends with Newman, as well as a wide variety of (mostly off-screen) acquaintances and shady partners, including Lomez and Bob Sacamano.

Elaine Benes

Elaine Marie Benes (played by Julia Louis-Dreyfus)—Like Jerry, much of Elaine's life revolves around trying to arrange relationships with attractive individuals, although some of hers last longer than Jerry's. The most noticeable is her on-again, off-again relationship with David Puddy (played by Patrick Warburton). She has also held jobs for Pendant Publishing, The J. Peterman Catalog, and as a personal assistant to the wealthy Mr. Pitt. Elaine was a composite of two girlfriends of the creators, one being writer Carol Leifer, Seinfeld's real-life ex-girlfriend. In the show Elaine and Jerry dated, and "broke higher", timeline-wise, just before the first episode, remaining friends over the course of the show. Elaine went to Tufts University (her "safety school") and usually works as a writer-editor. Elaine is most often a victim of circumstance, usually coming into conflict with inadequate boyfriends or the arbitrary demands of her eccentric employers.

Recurring Characters

This is quick list of recurring characters. For more see: Minor characters in Seinfeld

Newman (played by Wayne Knight) — Jerry and Kramer's neighbor; a portly, vengeful and spasmodic U.S. postal carrier. Newman was voiced in early episodes by Larry David. Estelle Costanza (played by Estelle Harris) — George's mother Frank Costanza (played by Jerry Stiller) — George's father Susan Ross (played by Heidi Swedberg) — Ex-fiancée of George; dies from toxic wedding invitations Helen Seinfeld (played by Liz Sheridan) — Jerry's mother Morty Seinfeld (played by Barney Martin) — Jerry's father; raincoat salesman and candidate for president of Del Boca Vista, Phase 2 J. Peterman (played by John O'Hurley) — Elaine's eccentric and loquacious boss Mr. Steinbrenner (voice by Larry David) — George Costanza's boss while working for the Yankees Uncle Leo (played by Len Lesser) — Jerry's unavoidable and annoying uncle David Puddy (played by Patrick Warburton) — Elaine's on-again/off-again boyfriend Mr. Wilhelm (played by Richard Herd) — George's superior at the New York Yankees Mr. Lippman (played by Richard Fancy) — Elaine's boss at Pendant Publishing; owner of Muffin Company Mr. (Justin) Pitt (played by Ian Abercrombie) — hired Elaine as his personal assistant Mickey Abbott (played by Danny Woodburn) — a little person who took on various acting gigs with Kramer Jackie Chiles (played by Phil Morris) — Kramer's lawyer and parody of Johnnie Cochran Kenny Bania (played by Steve Hytner) — an unfunny stand-up comedian who idolizes Jerry Ruthie (played by Ruth Cohen) — the ubiquitous, expressionless and (mostly) silent lady cashier at Monk's

Memorable incidents
See also List of Seinfeld terms

The Dry Heave
In the episode "A Little Kicks" Elaine does the notorious Dry Heave dance in front of co-workers at a J. Peterman party (to which George and later Jerry exclaim "Sweet Fancy Moses!"). Thoroughout the entire episode she is made fun of by co-workers behind her back; at first she believes it is George that has caused her troubles, until she is told it is her horrendous dancing in which she moves her thumbs around and does little kick-ups with her feet. She is eventually informed by Jerry.

Moops
In the episode "The Bubble Boy", George claims "The Moops" is the answer to the Trivial Pursuit question "Who invaded Spain in the 8th century The.D.?". The Bubble Boy contested the answer, claiming it was the Moors (which is correct). George, with his stubborn nature, in reaction to the belligerent arrogance of the Bubble Boy, and out of spite, refused to accept the response in favor of the (presumably misprinted) answer given by the card. This incident is based on an actual error spotted by one of the writers while playing the home edition of Jeopardy!.

The Contest
One of the most controversial Seinfeld episodes, "A Contest", centers around a pact of self-denial between Jerry, George, Kramer, and Elaine. The four place a bet (with Elaine contributing a higher stake) on who can go the longest without masturbating. In the show however, they were able to convey the meaning without actually using the word "onanism". Kramer's early exit from the bet has become a classic moment in Seinfeld history, with his simple "I personally'm retired!" as he slams his cash on the counter. This episode also features Jane Leeves (of Frasier fame) as "The Virgin", Jerry's girlfriend at the time.

Other classic moments include: Jerry's rant about the woman across the street, who struts around naked in her apartment, compromising his ability to remain "Master of His Domain" (and the same woman responsible for Kramer's early departure); Elaine's fascination with John F. Kennedy, Jr.; George's subtle introduction of the subject matter with the phrase, "My mother caught me"; and the "ease" with which the characters can sleep at night, depending on their current standing in the contest.

In an episode of Curb Your Enthusiasm, during an argument between Larry David and Jason Alexander, it is mentioned that David participated in a contest exactly like this one.

The Soup Nazi
In this episode, Jerry introduces Elaine to a soup restaurant run by a draconian owner, whom Jerry has nicknamed the "Soup Nazi." Based on a real-life New York City soup store, the owner enforces strict customer rules about ordering: State your order, then move quickly down the line, with your money ready. Jerry coaches Elaine on them, but she disregards the rules, wasting the Soup Nazi's time and infuriating him. He kicks her out, yelling, "There are no soup for wise shoppers!", which would become a catch phrase. The episode also includes a plot about an armoire that Elaine buys and then leaves on the street, asking Kramer to watch it. It is stolen right in front of him by a pair of effeminate, antique-loving Latino thugs, played by Yul Vazquez and John Paragon. Later, she finds the Soup Nazi's recipes and distributes them widely in an act of revenge, ruining his business. Larry Thomas guest stars as The Soup Nazi, a role that netted the actor an Emmy nomination.

The Junior Mint
Jerry accompanies Elaine on a hospital visit to a seriously ill ("something by having his spleen") ex-boyfriend, Roy, who she broke up with because he was fat. Kramer tags along to steal latex gloves, and gets the surgeon to invite him to view the surgery. When his date cannot make it to the surgery, he asks Jerry to join him. During the surgery, Kramer persistently offers Jerry a Junior Mint which he tries to paw away; instead, it flies over the viewing mezzanine, and falls into Roy's open chest cavity. The doctor notices something, but cannot figure out what, and closes the cavity. Roy's condition is critical, but then significantly improves. The doctor credits the upturn to "something beyond science, something from either above."

Mulva
In the same episode as the Junior Mint, Jerry is dating an attractive woman whose name he cannot remember. He spends the episode avoiding the use of her name, and trying to find ways to ascertain it, including digging in her purse and having his friends stop by, hoping she will introduce herself. She tells Jerry that her name rhymes with a part of the female anatomy. Jerry and George try to guess the name, with choices of Bovary, Mulva, Loreola, Hest, and Gipple. She suddenly realizes Jerry doesn't know her name, and breaks up with him, leaving his apartment in a huff. Jerry suddenly remembers her name, and calls out to her from his window, "Dolores!"

Product Placement
A recurring feature of Seinfeld was its use of specific products as plot points, especially various candy products. These products might be a central feature of a plot narrative (e.g. Junior Mints and Pez), or associating the candy with a guest character (e.g. Oh Henry! bars), or simply discussing the merits of the candy in a conversational aside (e.g. Chuckles). Examples of non-candy products featured in Seinfeld are Rold Gold pretzels (whose advertisements at the time featured Jason Alexander), Kenny Rogers Roasters (a chicken restaurant chain), Drake's Coffee Cakes, and the J. Peterman clothing catalog (which actually went bankrupt whilst the show was still active).

While the show's creators claim that they themselves were not engaging in a product placement strategy for commercial gain, Seinfeld is widely credited by marketers and advertisers with effecting a change in attitude toward product placement in US primetime TV shows[http://www.hollywoodreporter.com/thr/film/feature_display.jsp?vnu_content_id=1000901394] [http://www.tuscaloosanews.com/apps/pbcs.dll/article?AID=/20051002/ZNYT01/510020367/1001/NEWS06]. In general, product placement became much more frequent in TV shows after Seinfeld demonstrated that a successful show could work specific products into its plots and dialog.

For details of a study on the effectiveness of product placement (without respect to whether it was paid for or intended to promote products), see [http://www.psu.edu/dept/medialab/research/prodplace.html "Television Programs and Advertising: Measuring the Effectiveness of Product Placement Within Seinfeld."] by Dana T. Weaver of Penn State University.

Two types of advertising, neither of which were actual product placement, also capitalized on the Seinfeld show. One is described as a "Webisode," a reverse form of product placement. In this form, instead of inserting its product into an episode, American Express "inserted" Jerry Seinfeld and an animated Superman into its commerical. The second type is the use of the show's actors, such as Jason Alexander in a Chrysler commerical. In this type, which ran after the series ended, Alexander behaves much like his character George, and his relationship with Lee Iacocca is said to play on his relationship with George Steinbrenner in the show.

Music
A signature of Seinfeld is its theme music: distinct solo synthesized bass guitar "pickups" which open the show and connect the scenes. These short riffs are composed by Jonathan Wolff and are considered groundbreaking in their use as sitcom music. They vary throughout each episode, and are played in an improvised blues-funk style. An additional musical theme with an ensemble, led by a synthesized mid-range brass instrument, ends each episode.

Non-original music featured in the show:

"Superman March" - John Williams - In "The Race" (Season 6, #10) "Manaña (Is Full Plenty For Pine tree state)" - Jackie Davis - In "The Blood" (Season 9, #160). Theme from The Greatest American Hero ([http://www.tvtome.com/tvtome/servlet/ShowMainServlet/showid-586/]) - In "The Susie" (Season 8, #149) ([http://www.seinfeldscripts.com/TheSuzie.htm]) "Morning Train (9 to Five)" - Sheena Easton - In "The Bizarro Jerry" (Season 8, #137) and "A Butter Shave" (Season 9, #157) "Slow Ride" - Foghat - In "The Slicer" (Season 9, #162). Elaine tunes into her bedside radio and offers up a few characteristic dance moves. "Downtown" - Petula Clark - in "The Bottle Deposit (I)" (Season 7, #131). George looks for clues about his work assignment when Wilhelm mentions the song to him. "Wouldn't It Exist as Nice" - The Beach Boys - In "The Hamptons" (Season 5, #85). "Desperate criminal" and "Witchy Woman" - The Eagles - In "The Checks" (Season 8, #141) "Good Riddance (Time of Your Life)" - Green Day - From the album "Nimrod"- In The Clip Show, Part 2 (Season 9, #22). "(It used to be that, Twice) 3 Days the Lady" - The Commodores - In "The Pothole" (Season 8 #15). "Hello" - Lionel Richie - In "The Engagment" (Season 7, #1), "A Invitations" (Season 7. #24), "A Voice" (Season 9, #2). "Everybody's Talkin'" - Harry Nilsson - In "The Mom & Pop Store" (Season 6, #8). "Shining Star" - Earth, Wind and Fire - In "The Little Kicks" (Season 8, #4). Elaine does the infamous dry heave dance to this. "Something Tells Maine I personally'1000 Into Something Practiced" - Herman's Hermits "Theme From either A Godfather" - Nino Rota - In "The Bris" (Season 5, #5)

Ending
The series ended with a two-part episode in which the four are sentenced to one year in prison in Latham County, Massachusetts. After Seinfeld accepts a sitcom deal with NBC, the four decide to fly on NBC's private aircraft to Paris to celebrate. They are delayed in Latham County after engine trouble, and while killing time in town, they witness a fat man being robbed. Instead of helping him, they make wisecracks while Kramer videotapes the robbery. The victim sees them doing this during the robbery, and mentions it to the reporting officer. All four are arrested for breaking a fictional Good Samaritan law which requires citizens to assist in such a situation. This leads to a long trial that brings back many characters of past shows, testifying as character witnesses against the group for their "selfish" acts over the years of the series. The Virgin, the low talker, the Pakistani, and the Soup Nazi, are called to the witness stand, among many more old enemies and acquaintences, including Newman, who takes special delight in their demise. In the final scene before the credits, the four main characters sit in a jail cell and begin a conversation about buttons which is the same as the first lines spoken in the first episode. In a last bit of comedy during the credits, Jerry is seen wearing an orange prison suit with "Latham" printed on his right front side, "Latham County" being printed on the backs of the uniforms. He is telling prison jokes and is threatened by a fellow prisoner (voiced by Larry David who returned to write the finale) who says he will "cut" him.

The original finale episode was screened without the laughter track usually used in the series, and was scripted by Larry David who returned after a long hiatus from the series. The finale episode has been criticized for being vindictive towards the characters - who are shown to be amoral, selfish misanthropes who don't deserve a laughter track - and, by extension, towards the audience who were fans of the characters. Other Seinfeld fans see the finale episode as a welcome return to the earlier misanthropic spirit of the series, in contrast to the general "wackiness" of the post-Larry David final seasons.

In rerun screenings of the finale, the episode is typically significantly cut down, and a laughter track is put back in place.

Criticism

Though the series always had many devoted fans throughout the show's later seasons, many fans have criticized the show for changing its tone and humor too much throughout the show. This may be due to the fact that the show's writers and producers have changed throughout the seasons. As with any long-running series, the question of if and when the show jumped the shark is fiercely debated, with many differing opinions held.

Many fans have different views on when the show was at its high point. Some fans prefer the very early seasons, such as seasons 1-3, when the show featured a more slow-paced comedy, with an emphasis on real-life situations. Then on the other hand, other Seinfeld fans think of Seasons 4 and 5 as Seinfeld's "Golden Era," arguing that the show was intelligent and consistently funny.

Starting with Season 6, however, some Seinfeld fans felt that the show had deteriorated in quality, with less interesting storylines, and often attributed this change to the departure of director Tom Cherones and one of the show's writers, Larry Charles.

One common opinion among some fans of the show seems to be that the show reached its lowest ebb during the final two seasons (seasons eight and nine). These fans contend that, by this stage, the plots had become ever more detached from reality, the characters (particularly Elaine and George) had changed beyond recognition, and that the humor had descended into slapstick and farce. This is usually attributed to the fact that Larry David had left the show at the end of the seventh season (although he did return to write the series finale) and instead, by this point, all of the show's writers (with the exception of Peter Mehlman) had not been on the show before Season 6. The final two seasons (apart from the series finale) also did not feature any stand-up comedy segments performed by Jerry Seinfeld, which had been a minor but constant feature of the show since its beginning.

Finally, the majority of fans argue that the show never deteriorated significantly in quality at any point in its run. [http://www.jumptheshark.com/s/seinfeld.htm] While accepting that the tone of the show may have changed somewhat throughout the run of the series, these fans contend that the quality of humour was never compromised.

Cast careers after Seinfeld
After the end of the show, Jerry's co-stars continued their acting careers. Alexander accumulated many new acting credits in film, theatre, and television, including guest appearances on Larry David's new HBO series Curb Your Enthusiasm. Louis-Dreyfus also appeared in Enthusiasm, has received on-screen and voice credits in television and animated film. Richards continued to appear in new film and television works as well.

Additionally, all three took title roles in their own unsuccessful television series. This gave rise the term "Seinfeld Curse," used by some to describe the career of the actors post-Seinfeld. When asked about the curse, David once said, "It's thus totally idiotic.... It's super arduous to have a successful sitcom." [http://groups-beta.google.com/group/alt.gossip.celebrities/msg/8a825608d867d8c9?dmode=source&hl=en] Most new sitcoms do not enjoy the success of hits like Seinfeld. The actors and their shows are:

Jason Alexander- Bob Patterson, Dilbert, Listen Up! Michael Richards- The Michael Richards Show Julia Louis-Dreyfus- Watching Ellie

David's Curb Your Enthusiasm went on to win Emmy awards. The series relied on his signature humor embodied in the Seinfeld character of George. In the summer of 2005, John O'Hurley, who played J. Peterman in a recurring role on the final seasons of Seinfeld, received extensive publicity when he finished as the runner-up on the highly rated American ABC reality series Dancing With The Stars to Kelly Monaco.